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AFHS grad releases Utah-inspired poetry anthology 

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By: Brynn Carnesecca

American Fork Citizen

Utah has been the inspiration for numerous creative works for decades. Recently, AFHS grad Taylor Franson-Thiel released a poetry book inspired by Utah’s nature, people, history and culture. Her first book, “Bone Valley Hymnal,” is a tribute to all that Utah has made her to be. 

Franson-Thiel’s love of writing began at a young age. Her grandmother continually praised her work and encouraged her to continue on the path. 

“I grew up with this sense that I really could be a writer,” Franson-Thiel said. 

In high school, she continued to nourish her love of writing by joining the high school’s poetry club. Her teachers and the students around her inspired her to continue down the road of poetry and explore her unique voice. 

Although she had a love of poetry, she decided to play college basketball and follow that passion instead. However, her poetry flame was reignited when she needed a master’s degree to allow her to continue playing basketball. Her love of writing pushed her to pursue a master’s in creative writing, lending perfectly to her poetic roots. 

Throughout her master’s program, she continuously wrote poems and worked on her craft. She spent years writing fragments here and there, always written on paper before being typed. Her poems became the groundwork for her very first book, “Bone Valley Hymnal.”

Franson-Thiel began submitting her work to literary magazines and gained traction for her unique voice and style. 

“I didn’t write it as a project, I just wrote individual poems and wrote towards my obsessions. Through that, a collection came out. Once I published enough of them, I put them together, started sending it off, and got lucky,” Franson-Thiel explained. “Writing about my ancestors, heritage, Utah and the landscape was what I was obsessed with at the time.” 

The poetry collection has many references to the unique landscape and nature of Utah. Poems inspired by St. George’s signature red rocks, Lake Bonneville, Mount Timpanogos and the Provo River can all be found throughout the book. 

“When I was living in Utah, I didn’t write about that as much because everyone is a member of the LDS church and knew all the things,” Franson-Thiel said. “When I moved to Virginia, all of a sudden people were really interested in my religion in a way I hadn’t experienced before.” 

Many of Franson-Thiel’s poems involved extensive family history research, reading books and connecting with her family like never before. One of her poems, an ancestral sonnet, uses 14 lines to tell about a different female family member on each side. The poem explores her relationships with the women who came before, culminating in her mother. 

Other poems pay homage to her immediate family members in a different way. Against some advice, she decided to keep many poems about her dad and brother, celebrating the relationships she has built with them. 

“For me, those poems did need to be in there because as much as learning about the women in my life is central to that book, the men in my life are really lovely examples of healthy masculinity,” she shared. 

Franson-Thiel’s family and friends have been incredibly supportive of her work. A recent gift from her husband was a copy of “Bone Valley Hymnal” with sticky notes from her family responding to her poetry and mentioning things they would want to discuss more. 

In the future, Franson-Thiel plans to continue writing and eventually publish another book. Whatever happens in her writing journey, she is thankful for the chance she has had to connect with people in this way. One of the repeated topics she discusses is the dark and light sides of faith. 

“I’m someone who has struggled with doubt my whole life. … I hope that maybe there are kids in Utah who find it and that resonates with them. I want them to feel like they can keep moving forward and realize that there is beauty in the doubt. That is valid, beautiful and important,” Franson-Thiel shared. 

The book is essentially her love letter to Utah. “I hope it is really clear how much I love Utah. I love the people I come from and feel very proud to come from a legacy of saints who endured a lot of things and also did a lot of bad things. Both of those are allowed to exist. I hope people are OK with that,” Franson-Thiel expressed. 

“Bone Valley Hymnal” can be purchased on Amazon, at various bookstores throughout Utah, or from Franson-Thiel’s website. She will also host four book signings on June 21, 28, 29 and 30 in Utah. For more information, visit www.taylorfranson-thiel.com/.

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AFHS celebrates Christmas around the world

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Elizabeth Spencer | American Fork Citizen

American Fork High School celebrated cultural diversity at its 3rd annual Christmas Around the World Assembly, featuring global music and dance performances, including those from the United States, by the Cheer Squad and Cavettes.

Students were welcomed with a Calypso Steel Drum band playing a Jimmy Buffett tune, representing Trinidad and Tobago.

Twins Sam and Hannah Miller represented Ukraine with an electric violin rendition of “Carol of the Bells,” which students loved.

“The American Fork High School Christmas Around the World Assembly highlights student talents and heritage while fostering the holiday spirit,” shared AFHS Administrator Dr. Belinda Talonia.

“We started this assembly three years ago to highlight our community’s diverse strengths. Celebrating during the holidays reflects American Fork High School’s core principles: respect, open-mindedness, and unity,” shared Peter Glahn, AFHS Principal.

Four talented young women performed hula. Tasha Vimahi said, “For a long time, I didn’t know my full culture. Now that I do, it’s beautiful and worth sharing.”

Tasha’s sister Jacquelyn said, “There are many misconceptions about each culture, so seeing part of it helps people understand.”

La-akea Manuela began hula lessons at age 4. She said, “It’s beautiful to show my peers I can have fun and still represent my culture.”

Penina Fano said sharing her Polynesian culture is important: “Growing up, it was hard to learn my culture, but representing it shows I am proud of who I am.”

“I feel blessed to share with everyone and hope they enjoy it,” shared Fano before taking the stage.

Maite Rojas, born in Chile, loves Chilean food and her native language. She shared a traditional Chilean dance, saying, “I love to dance because I can transmit feelings words can’t.” Rojas called the event “a wonderful experience to learn about other cultures.”

Four Native American Dancers performed in traditional regalia; three are siblings. Phoebe Clark said dancing makes her happy and makes her feel “one with everyone.” Her sister Lucy added, “It’s a good opportunity to share our culture. Not many know about it, and it’s something special.”

“It’s beautiful to see everyone come together and show their own culture,” concluded Lucy.

Dexter Clark, who started dancing at 8 and now attends UVU, began with the hoop dance but now prefers the grass dance. “I feel pride and humility sharing my culture with those who haven’t seen it.”

At 10, Jacklynne Thomas was the youngest Native American dancer. She said it’s important to “show others different ways of dancing.” She enjoys the inclusivity of her culture.

The event also featured Irish Dance and a jazzy solo of “Let it Snow! Let it Snow! Let it Snow!”

“Understanding and learning about each other’s backgrounds strengthens our school community and builds unity,” concluded Talonia.

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The Ruth’s “A Christmas Carol” a magical holiday tale

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Brynn Carnesecca | American Fork Citizen

When the lights dimmed in The Ruth, I sensed magic was about to unfold. Charles Dickens’ eerie voice swept over the audience, and “A Christmas Carol” came to life once again. As the 36th annual production, The Ruth’s reimagined adaptation was everything I hoped for and more.

“A Christmas Carol” tells the haunting tale of Ebeneezer Scrooge. Consumed by grief and a hardened heart, Scrooge is visited by his old business partner and the three spirits of Christmas. The audience takes the journey with Scrooge and learns the true meaning of Christmas, caring, and love.

Without a doubt, one of the highlights of the show was the technical elements. The new Ruth space allows for ghosts to fly above the audience, doors to open as if by spirits, and screens to enhance the well-loved story. You have never seen “A Christmas Carol” quite like this before. Each moment had me on the edge of my seat, wondering how they would stage scenes like Fezziwig’s dance and the entrance of the Ghost of Christmas Future.

Ric Starnes led the show as a bold Ebeneezer Scrooge (double cast with Daniel Hess). He was utterly convincing as a grouchy old man, and his character arc warmed my heart.

He was joined by Jon Liddiard as Jacob Marley, Weston Klemetson as the Ghost of Christmas Past, Chip Brown as the Ghost of Christmas Present, Bryson Smellie as Fred and the Ghost of Christmas Future, and Will Gardner as Bob Cratchit.

Gardner was a highlight for me as well. Having previously seen him tackle challenging roles on the Timpanogos Community Theater stage, he soared as Bob Cratchit. He brought all the heart and humanity to the character (his interactions with his little family were among my favorites) while bringing the house down with the rousing “What Child Is This?” number.

Lucas Morley was also a standout as Young Scrooge/Ghost of Christmas Future (double cast with Zack Elzey). Morley belted out impressive notes and managed to embody the change that takes place within Scrooge’s life.

Overall, the music was a bit misplaced in the story. Some songs were welcome additions, but others distracted from the main message. Written by founder Cody Hale, many of them are honored traditions within the production. Still, I think some of them could be cut without losing much of the story.

Director David Morgan brought this show to the stage in a completely new and reimagined way. As someone who has seen this production many times, this one stands out in my mind as one of the strongest. His version takes on a slightly darker and spookier tone. While this may scare younger audiences, I found it to be the perfect addition to the story.

Beautiful costumes by Lauri Baird and enchanting scenic design by Carter Thompson were the icing on the cake for this yuletide show. Bring your family and stop by The Ruth to see the timeless tale of Scrooge, the Christmas ghosts, and Tiny Tim in the Christmas season.

Don’t miss this magical reimagining of “A Christmas Carol,” running through December 27 at The Ruth. Reserve your tickets now for evening or select matinee performances at www.theruth.org.

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The Ruth’s “Charlie and the Chocolate Factory” a whimsical treat

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Brynn Carnesecca | American Fork Citizen

For two and a half hours, The Ruth in Pleasant Grove transported me to another world. It wasn’t as harsh as ours, and all the news stations were filled with candy-coated dreams and reporters with playful names. “Charlie and the Chocolate Factory” was everything I wished for and more. This holiday-time treat made me laugh until my stomach hurt and left me asking how I could make the world a bit sweeter.

Based on the Roald Dahl novel, “Charlie and the Chocolate Factory” follows 10-year-old Charlie Bucket as he wins a golden ticket to Willy Wonka’s mysterious chocolate factory. With a wacky cast of spoiled children and overbearing parents, chaos ensues around Charlie and his Grandpa Joe.

The well-loved tale has been spun into numerous film adaptations and spinoffs, yet The Ruth’s production seems to bring this tale to life in a new way.

Leading the cast is Thomas Wood as Willy Wonka (double-cast with Taylor Morris). The young performer astounded me in every way possible. Years ago, he had the chance to play Charlie Bucket in a Jr. production in Orem. Now, he is astounding audiences multiple times a week as Willy.

“I’ve been doing a lot of inner child work also in therapy,” Wood shared in an interview. “My main goal with this role was for [Wonka] to be funny and relatable, but never a joke.”

With a devious grin, spectacular singing voice, and persona enough to fill another three hours, Wood brought this character to life. He didn’t just recreate the same characters from the film or the book; he brought his own twist and personality to it, even down to the chromatic purple nails.

“I feel like I’m fairly young to be playing this role. I feel like I’m still on the same platform as the kids,” Wood laughed. “…I’m just one of them and we are all messing around.”

An incredible cast backed wood. Porter McCormick played an adorable Charlie Bucket (double-cast with Flynn Mitchell and Tayte Osmond), Hudson Lee was an unrestrained Augustus Gloop (double-cast with Nolan Heinmiller), Lucy White was a perfectly hateable Veruca Salt (double-cast with Jane Wilkins), Sibley Snowden brought the house down as a sassy Violet Beauregarde (double-cast with Mak Milord), and Liam Kaufman was an untamed Mike Teavee (double-cast with Charlie Udy and Daxton Osmond).


I could go on and on about the parents and supporting cast as well. Each actor brought unique energy to the stage, making for the perfect caricatures of parenthood and adults.

Director and music director Rob Moffat made every single moment feel magical. It seemed like he really saw this script for what it was. He never made it anything it wasn’t but still gave it a feeling of freshness that I haven’t been able to forget. Izzy Arrieta’s choreography was enchanting. From Oompa Loompa dances to crazed parents, it all felt right out of a dream.

One of my favorite elements was the scenic design by Carter Thompson. Things looked so delicious, I wanted to jump right into the scene. Creative candy carts, chocolate rivers and glass elevators all blew me away. Kim Wright was incredible at creating Broadway-level costumes. With a crazy cast of characters to dress, Wright gave each actor their own vibe and look. A particular standout was Willy Wonka’s costume. Brilliant purples paired with gold jumped right off the stage (complete with a top hat and a twirling coat).

This show was arguably one of the best The Ruth has done to date. If you’re looking for a magical night out, with or without the family, stop by the theater and enjoy a world of pure imagination.

“I really hope this is a break for audiences. The world is really, really scary for good reasons and bad,” Wood explained. “I think it’s important to bring a room full of 700 people together and to be laughing. People get to sit through this with their kids for three or so hours, and that’s special.”

“Charlie and the Chocolate Factory” runs until December 31 with nightly performances and occasional matinees. To purchase tickets or for more information, visit www.theruth.org

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AFHS Drama’s “Clue” a gut-busting puzzle

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By: Brynn Carnesecca

American Fork Citizen 

Every once in a while, a production comes around that simply fills you with joy. The recent AFHS production of “Clue” was exactly that. Whimsical costumes, a nonsensical plot and hilarious mishaps made me, alongside the rest of the audience, laugh until our stomachs hurt. 

Based on the hit board game, which then inspired the blockbuster movie, the play “Clue” is what director Neal Johnson called “a story that’s been passed down and reimagined many times.” Still, this production took familiar characters and material and turned them into something unique and absolutely remarkable. 

In a comedy-meets-murder-mystery, the six classic board game characters — Colonel Mustard, Mr. Green, Mrs. White, Mrs. Peacock, Professor Plum and Miss Scarlet — are all called to a large and mysterious mansion. In this version of the scenario, they do not discover why until later. Thus begins the classic “whodunit” tale. 

The cast is overflowing with talent. Standouts included Claire Hendershot as the incredibly frivolous and dramatic Mrs. Peacock (the dining scene alone made me laugh for minutes on end), Eli May as the over-the-top and goofy Colonel Mustard, and Lil Zeidner as the elusive backbone of the show, Wadsworth the butler. Each actor seemed perfectly suited for their role.

The cast was rounded out with Shaely Warburton as the alluring Miss Scarlet, Jacob Parson as the questionable Professor Plum, Azia (HD) Rowley as the secretive Mrs. White, Ben Kland as the zesty Mr. Green, and Annabelle Carter as the frightened and bouncy Yvette. 

The indulgent acting and chemistry between the characters were magic to witness. This was further aided by the direction of Neal Johnson. Johnson truly understood this show and how it was meant to be seen. Everything was the perfect amount of dramatic, terrifying and hilarious. Memorable moments included the tango scene, a corpse manipulation moment and an impressive rewind scene that was repeated six times. Motifs and callback jokes frequently made appearances, and everything seemed to land with the audience. At one point, the actors even hopped around the stage as if they were the board game pieces themselves. 

The set was also something to be celebrated. With pieces of the set constantly moving us around, the audience was brought right into the board game world. Entering the lounge, library and kitchen at various points felt like a dollhouse being brought to life on stage. The costumes were perfectly done as each seemed to pay homage to the original box design of the characters while adding a unique spin. 

With an intensely comedic script, each actor truly pulled their own weight. Funny moments were abounding, and some even seemed to slip right into the background (a la “6-7” reference). I found myself smiling throughout the entire production. Kudos to the AFHS drama and tech team for putting together a night of mystery, laughter and fun. This show is exactly what we need in the world right now: something to smile about. 

“Clue” will conclude its run at AFHS tonight at 7 p.m. Tickets can be purchased at the door or at https://cur8.com/projects/2331.  Seating is general admission.

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AFHS Drama presents “Clue”

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Brynn Carnesecca | American Fork Citizen

American Fork High School’s drama department has been preparing for months to bring the cult-classic “Clue” board game to life on stage. The play, a murder-mystery-meets-comedy, runs from Nov. 13-18 with nightly performances.

Fans of the board game will be pleased to see classic characters such as Colonel Mustard, Miss Scarlett, and Professor Plum brought to life on stage, with accompanying weapons. After a shocking murder occurs at a remote mansion, the zany cast of characters all must work together to unravel the mystery and figure out “whodunit.”

Full of jokes and callbacks to the family-favorite game, “Clue” will be a mystery play perfect for the family. To purchase tickets, visit https://cur8.com/projects/2331

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AFJH Musical Theatre dives deep with “The Little Mermaid”

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Elizabeth Spencer | American Fork Citizen

Jessica Johnson, American Fork Junior High School’s drama teacher, is fulfilling a longtime goal of hers this semester: directing “The Little Mermaid Jr.” stage musical. “I looked at the group of students we had in Musical Theatre this year and was like, ‘Yep, the time is finally here to do it!’” she shared.

This is Johnson’s first time directing the show, which is also her favorite childhood movie. “I have been waiting for the right group of students to do this beloved show with,” she added.

“So many of these students have embraced their character and have grown as performers. I always love seeing those lightbulb moments; it’s my favorite thing about being a teacher and a director,” Johnson shared. “Our crew has blossomed in their skills through tech week, and it has been wonderful to see them take ownership of their jobs to help make the show run smoothly.”

Students auditioned for the musical at the end of August and have rehearsed throughout September and October, both in Musical Theatre class and after school. Stage Crew has designed and created costumes, props and sets, with some pieces rented from the Scera Shell and Bluffdale Arts. Families joined for two set-building Saturdays to help bring their Under the Sea wonder to life.

Johnson believes the message of “The Little Mermaid” is an important one. “I believe that it’s important to follow your dreams and not to be divided by hate or a lack of understanding for others.”

“The Little Mermaid Jr. ” will run Nov. 6-8 at 7 p.m. with a Saturday matinee at 3 p.m. Performances will be held in the American Fork Junior High auditorium. Tickets are $5 and can be purchased on the American Fork Junior High website.

“We are so proud of our amazing 8th- and 9th-grade students taking Musical Theatre and Stage Crew this semester. They have created an amazing show. We look forward to the upcoming 8th and 9th graders in American Fork to continue creating wonderful theatre!” Johnson concluded, “We hope that audiences will join us Under The Sea in this timeless story and fall in love with these beloved characters all over again.”

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Local artist debuts powerful new single, “Villain”

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Jennifer Thomas | American Fork Citizen

Rising independent artist, Alivia Hadfield of Lehi, is challenging genre boundaries with the release of her electrifying new single, “Villain,” available on all major platforms. Blending country pop storytelling with emotional vulnerability, the track offers a powerful, self-empowering anthem inspired by themes of personal resilience and growth.

Hadfield is a 21-year-old artist who delivers a fresh take on country pop, crafting songs that explore the journey of self-discovery and staying true to one’s authentic self. She co-wrote “Villain” in Nashville with Jason Blaine and Beji Cowart.

“For me, this song is about letting people think what they want and just keep going, even if you’re painted as the ‘villain’ in someone else’s story. I hope the song reminds people it’s okay not to be everyone’s cup of tea. Sometimes being the ‘villain’ means you finally stopped apologizing for being yourself,” said Hadfield.

“Villain” was a creative process that fostered a significant emotional resonance among the collaborating artists.

“I came into the session with the concept and title idea already in mind. I co-wrote Villain and we started the process by swapping stories and song ideas before zeroing in on this one. Once everyone felt the spark, we wrote the chorus within minutes—it just clicked,” said Hadfield. “That’s the magic of a great writer’s room: once the emotion hits, everything flows fast.”

“My brand has always been about being the girl next door, finally telling her side of the story—relatable, but with bite. Villain was born out of real experiences, mine and others’, and it explores how it feels to be misunderstood or blamed when you’re just trying to stand your ground,” added Hadfield.

Songwriting started as a creative challenge for Hadfield when her “older brother handed her a ukulele before leaving the state and said, ‘Learn two songs before I get back’” (she wrote several songs of her own by the time he returned). It has now blossomed into a lifelong pursuit. Hadfield has performed at local events and songwriter rounds and has opened for country artist Drew Baldridge.

Hadfield has always wanted to be a singer and a performer. “I’ve always loved the stage, storytelling and the connection that comes from performing. I’ve never really struggled with stage fright—the energy of a crowd fuels me. There’s nothing like singing something you wrote and seeing people connect with it in real time,” said Hadfield.

A high school performance for her classmates was the moment that Hadfield realized her passion for music, which had been evident since she began writing songs at a young age.

“I started writing songs when I was 11 years old, and my first real performance was in front of my Guitar 1 class at Skyridge High School. I sang a song I wrote called ‘Lighthouse’. It was the 20th song I’d written at the time. I’ve stopped keeping count since then, but that moment really sparked everything for me,” said Hadfield.

The true value of this experience lies not just in the finished pieces but in the profound lessons Hadfield has learned about her collaborative approach and concepts along the way.

“This release has taught me the power of planning and collaboration. For the first time, my team and I methodically mapped out every piece of content, reached out for support where needed, and built a world around the single,” said Hadfield. “Releasing it in October helped it land on Halloween playlists, which gave it a strong seasonal hook. There were both big wins and big lessons that I’ll carry into every release going forward.”

“Villain” was released on Oct. 10 and has seen significant success, with over 360,000 streams in the first three weeks.

According to Hadfield, “‘ Villain’ surpassed 360,000 streams, which is a huge milestone for an independent artist. Watching the numbers climb daily has been incredibly rewarding. We also sold out my debut release show, which was the perfect way to celebrate this first single. I’m confident we’ll hit 500,000 streams by the end of next month.”

Hadfield is absolutely thrilled by the overwhelming public interest in the release and is eager to keep the momentum moving with ongoing work.

“Consistency is everything. I’m continuing to post regularly, submit the track to more Spotify and YouTube playlists, and begin laying out plans for a summer tour to connect with listeners face-to-face,” said Hadfield.

She recommends active engagement and resilience to aspiring vocalists, lessons learned through endless hours of hard work on this release.

“Keep chipping away. Support other artists, stay humble, and remember that the first single or first win is just the beginning. Every small step adds up. Don’t wait for perfection—just keep creating, learning, and showing up,” said Hadfield.

Additional information about “Villain” and Hadfield can be found at https://www.aliviahadfield.com/.

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Local schools combine orchestras for haunting hymns at AFHS

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Elizabeth Spencer | American Fork Citizen

Five local secondary school orchestras collaborated for the first-ever combined night of Halloween Music. Timberline Middle School, Mountain Ridge Junior High, Lone Peak High School, and American Fork High School and Junior High all participated in the “spook-tacular” event. Hundreds of musicians performed under the direction of conductors from their respective schools: Shauna Smith (AFJH/AFHS), William Vernon (LPHS/MRJH) and Amanda Riley (TMS).


This summer, Vernon, Riley and Smith collaborated to form a small group. Together, they discussed ways to encourage students and families to commit to a six-year program in Strings and Orchestra. Smith shared, “I mentioned that AFHS organizes a ‘Band Bash’ that brings together all levels for a single concert. We thought hosting a similar event could showcase the strength of the Strings and Orchestra program within the AF cluster community.”

“The purpose of the concert was for students to realize that our orchestra program is really an incredible six-year journey. To see the progress from picking up the instrument for the first time in 7th grade all the way to 12th grade, making great music and great friendships along the way.” Vernon continued, “I wanted the Jr. High students to see that there was a fantastic group of kids and fun musical experiences waiting for them as they transition into 10th grade.”

“I came up with the ‘Monster Concert’ theme, and we decided that we’d center it on Halloween music. It was a fun concept, so we started to look through music that each of us had in our libraries that might work for the concert. Each of the teachers prepared their own students and took on some of the responsibilities for the concert,” added Smith.

AFHS hosted the event, inviting students from their advanced orchestra classes at each middle school, junior high and high school. The three conductors divided up the songs they would direct, the attire the kids would wear, and how they would rehearse with their own schools, then came together.

“Each school had different colored T-shirts, and my favorite part was seeing the students all mixed up in the concert making new friends,” added Vernon.

Music included scary titles such as “Zombie Tango”, “Creepy Classics”, and “The Evil Eye and Hideous Heart” based on The Tell-Tale Heart by Edgar Allen Poe. The hit of the evening was the grand finale performance of “Monster Mash.” Vernon narrated the piece, and spectators joined in singing the chorus.

“I had great help with my students and parents in the setup and take-down of over 300 chairs and stands for the students to use,” shared Smith. Parents also distributed programs and assisted with all aspects of the evening. AFHS staff helped set up the audio system and bleachers and opened other areas for students and attendees to use.

“So many of the kids came up to me and the other directors afterwards and were thrilled that they had the opportunity to play fun music in a fun concert at a fun venue.  They loved that it was not as formal as most Orchestra settings, and it gave the audience and the performers a different viewpoint on how strings are played in all kinds of music,” shared Smith. “I think many of those who attended saw how this type of event brings communities together through a fun, energetic and creative way. This event gave a new perspective on Orchestra music.”

“I’m grateful to have colleagues like Shauna and Amanda, who I can look up to as people who build successful orchestra programs, but who are also great people who create unforgettable experiences for their students,” concluded Vernon.

Smith encourages parents to give their children opportunities in music. “It is the way to create beauty, culture, lasting friendships and discipline. Students who participate in music at any level learn the value of it and how it is essential in our lives. Music permeates every aspect of life. … I am glad that I can show students its value and hope they learn to love the qualities it brings as much as I do.”

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Local family-friendly Halloween events through Oct. 31

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April Slaughter | American Fork Citizen

Utah County has no shortage of Halloween spirit this October, with city, venue and community events running up to Oct. 31. Here’s a comprehensive roundup — and where to find more details.

Spooktober — Thanksgiving Point
Throughout October, Thanksgiving Point is running “Spooktober,” with seasonal décor and family‑friendly programming across its venues (Ashton Gardens, Butterfly Biosphere, Museum of Ancient Life, Museum of Natural Curiosity, and Curiosity Farms).
Highlights include:
• Scarecrow Festival (Ashton Gardens), Oct. 13–18
• Dinos After Dark at the Museum of Ancient Life on select Thursday nights
• Creature‑of‑the‑Night events at Butterfly Biosphere (Fridays)
• Barnyard Boo at Curiosity Farms (mornings, Oct. 13, 20, 27)
• Monster Mash (STEM + Halloween activities) on Saturdays

Big Jack’s World — Outlets at Traverse Mountain
The Outlets at Traverse Mountain are hosting Big Jack’s World, a free fall and Halloween display featuring oversized pumpkin art, themed photo zones, and a scavenger hunt. Runs daily through Oct. 31.



Halloween Extravaganza — Lehi Legacy Center
Friday, Oct. 24, 5–8 p.m., Lehi Legacy Center, 123 N. Center St.
Admission: $5 advance / $6 at the door (adults free). The event includes games, trick‑or‑treating, crafts, a live reptile show, glow necklaces, and a screening of “Toy Story of Terror.”



Trick or Treat on Main — Lehi Historic Main Street
Thursday, Oct. 31, 4–6 p.m. along Historic Main Street. Local businesses and city departments offer booths and candy stations for children and families.

Halloween on Main — Downtown American Fork
Thursday, Oct. 31, 4–6 p.m., Main Street (300 W. to 100 E.). City departments and local businesses will host trick‑or‑treat booths.

Utah County Flute Choir Halloween Concert — Library Rotunda
Tuesday, Oct. 21, 7–8 p.m., American Fork Library Rotunda, 64 S. 100 E. A family‑friendly

Halloween performance by the Utah County Flute Choir.

Haunted Forest — American Fork
The Haunted Forest remains one of Utah County’s longest‑running attractions, featuring an elaborate outdoor trail, immersive sets, and live performers. Open nightly through Oct. 31. (hauntedforestutah.com)



Where to watch and get news:

• Lehi City — Event details at lehi-ut.gov/recreation/events-celebrations and the Lehi Legacy Center “Special Events” page.
• American Fork City — City calendar and News Flash pages at americanfork.gov/calendar.
• Thanksgiving Point — Full Spooktober listings at thanksgivingpoint.org/event/spooktober.
• Outlets at Traverse Mountain — Big Jack’s World details at outletsattraversemountain.com.

Halloween wraps up fast, so plan early, check official sites for weather or schedule changes, and make time to enjoy Utah County’s mix of family‑friendly and fright‑filled fun close to home.

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Sourdough expert visits Barnes & Noble in American Fork

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Brynn Carnesecca | American Fork Citizen

Amy Coyne used to spend hours poring over forums, scouring the internet, and experimenting with sourdough bread. During her journey of learning how to create, maintain, and cook with a sourdough starter, she wished there were a place where she could find accurate and beginner-friendly information. Now, Coyne has released a book, “The Beginner’s Guide to Sourdough,” to help beginners bake their way to success.

Coyne’s journey with sourdough began 14 years ago with her family in Kentucky.

“I’ve always loved to bake as a kid and a teenager. Then, when I was a young mother, I became passionate about preparing healthy food for my family. It stemmed from that,” Coyne shared.

During the Thanksgiving holiday, Coyne’s aunt brought a homemade sourdough loaf. With six years of her childhood spent in Germany and the Czech Republic, the flavors reminded her of her time in Europe. Coyne immediately fell in love with the bread and decided then and there that she would learn how to make sourdough.

The next few months were tricky as she tried to figure out what recipes, methods, and tricks would help her to maintain (and cook with) a sourdough starter.

“At that time, there wasn’t the social media that there is. I would spend hours on forums after I tried to get my twin toddlers to bed,” Coyne laughed. “I eventually made my own starter. It took me five or six weeks. I loved the process and loved doing it.”

After her first successful starter, Coyne continued to grow her skills and incorporate sourdough into many recipes. In the last few years, she began sharing what she had learned on social media, to a widespread positive response. People have loved seeing her beginner-friendly secrets and learning how to make their own bread. Now, her new book is being released to the bread-hungry masses.

“It’s what I wish I had when I started…  The cool thing about this book is how it’s organized, Coyne said.

The first section teaches what a starter is and how to maintain it. From there, the following six sections of recipes build upon the foundation to progressively help the reader make more complex recipes. From basic sourdough loaves to focaccia and caramel pecan monkey bread, the book enables the reader to progress from a basic beginner to a sourdough master. Complete with QR codes, pictures, and various guides, the recipes are designed to be easily understood by everyone.

When writing the book, Coyne utilized her degree in education to ensure the book was reader-friendly. “I really wanted this book to be hands-off. You only have to look for certain cues, then we build from there,” Coyne said. “I’m naturally shy. But, if I’m helping someone, then I’m willing to put myself out there.”

Coyne hopes that the book can bring people together. In her family, sourdough has become a staple, not just a way of eating, but also a way of life.

“Food is memories… Every time we come together as a family, food is a big topic,” Coyne explained. “I think that it really does bring people together. I love being able to share with my neighbors and friends what I’m making.”

Tonight, Amy Coyne will visit the Barnes and Noble in American Fork at 6 p.m. She will host a Q&A session, discuss the book, and conduct a book signing. For more information or to purchase a copy of the book, follow @amybakesbread on Instagram or visit www.amybakesbread.com.

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